Ludwig supraphonic snare drum dating
At that point, Ludwig introduced the Granitone finish, a gritty grey coating used to cover aesthetically displeasing blemishes in the interior wood finish. If you happen to know your woods, examining the plies and interior finish can be instrumental in era identification, but again, the drum may have been modified through the years.
In most cases the best way to estimate the date of a drum is its physical characteristics. Many ludwig ludwig snare drum vintage snare drum serial number dating ludwig supraphonic snare drums.
If there’s something weird, or iffy, or broken, or… The ones on my kit are the new ½” spurs, which are beefier for those who really get MOVIN’ when they hammer it down.
whatever, and you can’t find the answer on the Web, talk to who know the product. Now, there’s no way of knowin’ if my friend Jim had ’em replaced, or if it was someone else before him, but as Tim at Ludwig said, “At least they replaced them with official Ludwig parts!
But today we’re gonna look at the specific kit played by MY favorite drummer, Jim, and extrapolate from there what we know and have discovered through research about Ludwig as a company. the fundamentals of the kit are: Drumstick, that is!
His fidelity to Ludwig drums was widely known, and through his amazingly proficient recording history, I think Ludwig was kept in business just from his orders!!
It was a shock to us all, and was so out-of-the-blue that it’s still hard to believe I can’t call him up and tell him “I’ve got a new track to record, so get your Ludwigs over here!
For an even longer list, with a thorough compiling of all who are only at home behind a Ludwig, check out THIS LIST.
Enjoy this look into the treasured kit of our too-soon-departed friend.There must be a ‘Ludwig flavor’ they taste and keeps ’em wanting more.Granted, some do change occasionally, but many do not, and since the big names have plenty of money to buy whatever they want, it carries some weight with me when a player that I respect consistently endorses a certain brand of music gear, and uses it on their own recordings or in their own concerts.The city named on the badge gives it away: in 1984, Ludwig, freshly purchased by Selmer in ’81, packed everything up and moved from the Damen Avenue factory in Chicago to their new facilities in Monroe, North Carolina. But the more I keep them as Jim wanted them, the less far away he feels.
Things were in quite an upheaval then, because of the big move, so not as much documentation was being done, which is why precisely dating kits from the 80s and up is a tricky business. This particular combination of Tom sizes doesn’t appear to be a standard kit at the time, judging by the catalogs of the day. It’s like a little bit of him is brought back whenever I light up those Ludwig skins.
But since the Keystone Badge says Chicago, IL on it, it’s probably one of the last kits to come out of that factory. Where would we be without the classic, progressive innovations that “Emerson, Lake & Palmer” composed, and Palmer’s Ludwig drum beats that pushed ’em to the limits of the groove? The only explanations for how this kit was derived then are: with style and quality tone already. I think Ludwig returned the favor, tho’ probably unwittingly: Jim’s kit sometimes reminds me of the Beatles! They’re designed for more of a “Rock sound”, and anyone digging Zepp’, like Jim did, would feel very ed, and deeper than a standard kit: a 13″, 14″ and 18″.